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Vous avez sélectionné:
Not So Quiet Please
Partitions à imprimer
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Not So Quiet Please
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.791978 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.791978 Composed by Sy Oliver. Arranged by Oliver/La Barbera. Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show,Standards. Score and parts. 26 pages. Deaver Enterprises ASCAP #399191. Published by Deaver Enterprises ASCAP (A0.791978). Not So Quiet Please is one of five transcription/Arrangements (Carioca, Hawaiian War Chant, Well Git IT, Oop Bop Sh' Bam) I did for the Buddy Rich Retrospective at the Kool Jazz festival in 1982. After transcribing the originals I updated & re-arranged them to Buddy's liking without obscuring the intent of the originals. This arrangement is a composite of two recordings Buddy did of Quiet with Tommy Dorsey. The solo trumpet (first time at M. 9) can be played with all four trumpets both times if you choose and certain sections can be altered to suit your performance. We agreed on adding the eight bar shout after the drum solo to make the ending a little less anticlimactic. If you prefer, you can jump to M. 85 after the drum solo like the original. The drummer can stay on the toms and bass drum for the entire piece or alternate with a regular ride/hi hat swing pattern.
$85.00
79.34 €
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Ensemble Jazz
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Sy Oliver
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Oliver/La Barbera
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Not So Quiet Please
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Deaver Enterprises ASCAP
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SheetMusicPlus
Finding Your Way Selections 3
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1126816 Composed by Darrell Riching…
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Easy Piano - Level 1 - Digital Download SKU: A0.1126816 Composed by Darrell Richings. Children,Classical,Contemporary. Score. 8 pages. Animatedpiano #727464. Published by Animatedpiano (A0.1126816). Another collection of easy piano pieces selected from Finding Your Way 2. Please note, if you have already purchased Finding Your Way 2, you do not need this collection. It's intended as a sampler for the Finding Your Way series. Finding Your Way is a series which aims to build note-reading skills and develop piano technique in easy stages. This collection selects six of the longer pieces from Finding Your Way 2. These pieces are rather more challenging than those in Piano Pictures Finding Your Way Selections 2. They are arranged so that they can be played in sequence to form a complete mini-recital, if you wish. All of the pieces here are in Middle C position with no sharps or flats. Note values are very simple, with nothing shorter than crotchets (quarter notes). Dynamics, staccato dots and slurs are featured throughout. 1. At The Funfair 2. Walking On Stilts 3. Quiet As A Mouse 4. On Thin Ice 5. Great Big Dog's Boogie 6. Bold Explorer.
$3.00
2.8 €
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Piano Facile
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Darrell Richings
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Finding Your Way Selections 3
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Animatedpiano
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.75 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Horn Sonata No. 3 (Complete)
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
16.8 €
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Cor
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
Sonata No. 3 for Horn and Piano
Cor et Piano
French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyon…
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French Horn,Piano - Level 5 - Digital Download SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00
23.33 €
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Cor et Piano
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Mike Lyons
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Sonata No. 3 for Horn and Piano
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Lyons Music Services
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SheetMusicPlus
The Winner Takes It All
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1283320 By ABBA. By Benny Andersson and…
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Guitar - Level 3 - Digital Download SKU: A0.1283320 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Derek Hasted. 20th Century,Pop. 28 pages. Derek Hasted #874514. Published by Derek Hasted (A0.1283320). THE WINNER TAKES IT ALL - Great concert piece for 4 GUITARS or larger ensemblePrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar only.Derek Hasted writes This is a concert crowd-pleaser perfect for intermediate or advanced intermediate guitarists!One reason ABBA songs are so memorable isnât the strong melody line, itâs all the other clever harmonies and countermelodies that lurk just under the surface to make a crafted masterpiece.My arrangement uses guitar-friendly shapes to capture the whole song and many of the countermelodies that make the original such a great listen.The dynamics on the score tie in with the orchestration, so that the quiet sections are slow-moving and the louder sections are busy, adding yet more notes before the previous ones fade away. Iâve added just a little fingering here and there if thereâs really only one place on the neck to play whatâs on the page. Elsewhere, please choose the sweet spot that gives you, the player, the best mix of tone, sustain, playability and confidence.I hope you enjoy performing this as much as the audience will enjoy hearing it!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.66 €
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Guitare
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ABBA
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Derek Hasted
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The Winner Takes It All
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Derek Hasted
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SheetMusicPlus
Day of Wrath (SATB, Cello Solo, Narrator, Piano, Perc)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.799653 Composed by D. M. Gardner. 20…
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Choral Choir (SATB) - Digital Download SKU: A0.799653 Composed by D. M. Gardner. 20th Century,Contemporary,Sacred. Octavo. 62 pages. D. M. Gardner Music #481037. Published by D. M. Gardner Music (A0.799653). An intense hell-fire blazes throughout Day of Wrath. Though it begins quietly and mysteriously with the haunting Dies Irae chant, the audience is swept into a picture of hell painted by light and sound as the piano viciously churns-out its relentless melody against the turmoil of the choir... Driving to the ultimate end: Understanding whom we are to fear.But I will forewarn you whom ye shall fear: Fear him, which after he hath killed hath power to cast into hell; yea, I say unto you, Fear him. Luke 12:5 (King James Version)Day of Wrath is a performance not soon forgotten. Choreographed lights and sound add to the illusion of hell-fire and brimstone, while cello harmonics sail above the choir with an eerie crystalline presence. An opener, a closer... A crowd-pleaser for sure. If you want to break-up the praise and worship a bit, Day of Wrath will certainly wake up the audience!PURCHASE INCLUDES FULL SCORE AND ALL PARTS - Priced as a choral score (so, please purchase one copy per performer...Thank you!)Instrumentation: Cello, Narrator, SATB, Piano, Timpani, Cymbals, Bass DrumPremiere: University of Nebraska at Omaha - University ChorusDifficulty: Intermediate/AdvancedText from KJV version of the Bible and Dies Irae (Tomaso de Celano)To learn more about the composer, please visit https://www.dmgardner.com
$2.99
2.79 €
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Chorale SATB
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D
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yea, I say unto you, Fear him
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Day of Wrath
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D. M. Gardner Music
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SheetMusicPlus
Crossing Jordan: Three Spirituals for flute, piano and cello
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). âCrossing Jordanâ grew out of my daughter Kianaâs surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of âDeep River,â her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. âHis Name So Sweetâ is a more meditative version of the song than Iâve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. âDeep Riverâ also includes âMichael Row The Boat Ashoreâ and âThe Water Is Wide.â The latter isnât a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michaelâs help, Jordan can be crossed. âWade in the Waterâ is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldnât follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of âDeep Riverâ was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. Iâd love to hear that version, if you have a recording of it.
$30.00
28 €
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for flute, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Crossing Jordan: Three Spirituals for violin, piano and cello
Piano Quatuor: piano, 2 violons, violoncelle
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 35 pages. Maria Thompson Corley #864733. Published by Maria Thompson Corley (A0.1272508). âCrossing Jordanâ grew out of my daughter Kianaâs surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of âDeep River,â her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. âHis Name So Sweetâ is a more meditative version of the song than Iâve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. âDeep Riverâ also includes âMichael Row The Boat Ashoreâ and âThe Water Is Wide.â The latter isnât a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michaelâs help, Jordan can be crossed. âWade in the Waterâ is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldnât follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of âDeep Riverâ was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. Please note that the YouTube version for clarinet is slightly different than the one with violin, to accommodate the differences in range.
$30.00
28 €
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Piano Quatuor: piano, 2 violons, violoncelle
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for violin, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Eight Shorter Preludes on American Hymns (for manuals only)
Orgue
Organ - Level 3 - Digital Download SKU: A0.836718 Composed by Brian Joyce. Christia…
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Organ - Level 3 - Digital Download SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce (A0.836718). These eight Chorale Preludes were all written between March and May of 2020, during the worldwide Coronavirus Pandemic. Unlike the earlier companion volumes of shorter English and German preludes, which feature a variety of moods and themes, these American examples all seem to center around the closely related ideas of hope and quiet confidence. While this was not my intention back when I was choosing hymns to work with, I am pleased with the unity of the set. Taken as a whole, they are filled with tidings of comfort and joy. Stylistically, the preludes range from the baroque bounce of Praise Him, Jesus Our Blessed Redeemer, through the sturdy On Christ the Solid Rock I Stand (with its chords sounding as if they had been carved from granite blocks) and a surprisingly delicate I Stand Amazed. There is a fair amount of canonic leading and following in He Leadeth Me; Great is Thy Faithfulness is the expressive heart of the set; and we end by returning to 18th century ritornello models with Blessed Assurance. Through it all I think I have managed to avoid any sense of academic stuffiness - in fact there are several moments which may sound almost playful if not handled rightly.As with the Shorter English and German Preludes, most of these are between one and two minutes in length, and each fits on one or two pages, arranged so as to avoid page turns. As always, durations and sources are provided for your planning.
$7.95
7.42 €
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Orgue
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Brian Joyce
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Eight Shorter Preludes on American Hymns
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Brian Joyce
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SheetMusicPlus
America's Favorite Christmas Carols - Wind Instruments
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.522188 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score and parts. 190 pages. Colin Kirkpatrick Publications #6403623. Published by Colin Kirkpatrick Publications (A0.522188). This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The publication consists of a four-staff score in concert pitch together with fifteen separate parts in various transpositions plus a simplified optional keyboard part. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumental tone color by omitting groups of instruments. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities.The complete set includes: Part 1 in B flat, E flat and C; Part 2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in B flat, E flat and C. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because invariably the parts lie too low for flute or oboe. For elementary players, a Part 1 in C (low) is included at concert (score) pitch. Parts 3 and 4 in C are in the bass clef. The arrangements could be played by virtually any combination of conventional wind band instruments. Using the optional keyboard part they could also be used as solos, duets or trios. The scores and all the parts are contained in a single 190-page PDF file. Please note that these arrangements are not necessarily compatible with other Kirkpatrick arrangements published by Glyn Joseph Editions. The collection incuers the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose Eâer blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de lâOfficiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
$19.99
18.66 €
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Orchestre d'harmonie
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Various
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Colin Kirkpatrick
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America's Favorite Christmas Carols - Wind Instruments
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Colin Kirkpatrick Publications
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SheetMusicPlus
Uptown Girl
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797770 By Billy Joel. B…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797770 By Billy Joel. By Billy Joel. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 24 pages. Derek Hasted #5299683. Published by Derek Hasted (A0.797770). UPTOWN GIRL - THREE or FOUR GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This very playable but satisfying arrangement suits 3 guitars, 4 guitars or (even better!) a large ensemble.This is a piece that's full of hidden gems...For an audience it's absolutely full of uplifting key changes - not just one on the last chorus! This arrangement starts in A, but visits the keys of F, C, D and E more than once, and each one seems to lift the mood yet higher. And then there's a gentle fade away to a quiet finish.For an adult trio, it's an easy rhythmic crowd-pleaser that any audience will like. Each line has its own contribution to the overall big wall of toe-tapping sound.For a guitar teacher, it's a great exercise in rhythm and a chance to show students the half-diminished chord (the m7b5) and the poignancy of the flattened ninth. And indeed to remind them that there's more to good music than just three chords!For a school teacher, this trio comes with a potential life-saver - there's a second version of the Guitar 2 part that is split into two separate parts - 2a and 2b. These parts are ideal for a mixed ability ensemble where one or two players are new starters with guitar (yes, the Guitar 2b part really is that easy!) So play as a trio or a quartet - the choice is yours, and rest assured that an ensemble of widely differing abilities will be able to tackle it to great effect.I hope you enjoy this piece as much as my adult Guitar Workshop ensemble does!
$4.99
4.66 €
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Billy Joel
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Derek Hasted
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Uptown Girl
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Derek Hasted
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SheetMusicPlus
Fountains of the Deep (SATB, Piano, Horns, Timpani, Perc)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.799654 Composed by D. M. G…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051. Published by D. M. Gardner Music (A0.799654). SATB, Piano, Horns, Timpani, PercussionBE ADVISED, IF YOU SIT IN THE FRONT ROW, YOU MAY WANT TO BRING A RAINCOAT!In the six hundredth year of Noah's life, in the second month, the seventeenth day of the month, the same day were all the fountains of the great deep broken up, and the windows of heaven were opened. And the rain was upon the earth forty days and forty nights. (Gen 7:11-12 KJV)Quietly the first drops of rain begin to fall... One, two... The wind begins to stir, becoming audible. And in a moment it seems thousands of heavy raindrops fall upon the mountains and hills and plains, as though a veil of water had suddenly descended upon the earth from the heavens. Fountains of the Deep musically portrays the events of the Bible concerning the great waters in a tumultuous storm of notes thundering from the grand piano and percussion. Simultaneously, the choir calls out for help while being tossed by the tempestuous seas, swallowed by a great fish, and chased to the edge of the sea by Pharaoh.The text in Fountains of the Deep is a mixed narrative that combines scripture with an imagined exclamation at the cataclysmic events of the day. Still comes the rain, still comes the rain, never ceasing! Whether it was one man, thousands, or all of mankind, the Lord has chosen to use the great depths of the sea to do his Will. This dramatic sonic reenactment brings the listener as close to the action as one would wish to get.PURCHASE INCLUDES FULL SCORE AND ALL PARTS - priced to be purchased as a choral score, so, please purchase one copy per performer...Thank you!)Difficulty: Moderate (Choir)/Intermediate/Advanced (Piano)NOTE: While Ab minor may seem like an extreme key, it plays very well on the piano and gives the choir a very full sound. However, Fountains can easily be performed in A minor, as desired, by simply removing the key signature (for the Horns, also add a sharp (E minor)Approx. 4 minutes and 50 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.99
2.79 €
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Chorale SATB
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D
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Fountains of the Deep
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D. M. Gardner Music
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SheetMusicPlus
Christmas Processional
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.890746 Composed by French Tradi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.890746 Composed by French Traditional. Arranged by Andrew Wainwright. Christmas. Score and parts. 69 pages. Andrew Wainwright #4888451. Published by Andrew Wainwright (A0.890746). A spectacular opener to any Christmas concert, based on the French carol, Bring a torch, Jeanette, Isabella. This work tells the story of a group of children in medieval Provence, dressed up as shepherds and milkmaids, carrying torches and candles as they proceed to the stable. As they draw closer and their excitement increases, they are constantly reminded by their parents to keep the noise down so that they don't wake up the baby Jesus. The music begins quietly and builds to a majestic conclusion. If I were still conducting regularly, this would certainly be on my list as a Christmas concert opener - it sets the energy and mood most effectively. The scoring is terrific. Paul Hindmarsh, music critic *Please note audio is of the version with choir.
$65.00
60.67 €
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Orchestre
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French Traditional
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Andrew Wainwright
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Christmas Processional
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Andrew Wainwright
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SheetMusicPlus
Your Favorite Christmas Hymns and Carols for Wind Instruments Book 1
Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, …
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Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise & Worship, General Worship, Christmas. Score, Set of Parts. 125 pages. Published by Colin Kirkpatrick Publications
Your Favorite Christmas Hymns and Carols for Wind Instruments<br> Arranged by Colin Kirkpatrick<br> Book 1<br> <br> This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.<br> <br> The publication consists of a four-staff score in concert pitch together with fourteen separate parts in various transpositions. There is also a fairly easy optional keyboard part. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing. You can also create interesting instrumental tone colour by omitting groups of instruments. This can be achieved with the aid of a pencil. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities. You can hear the effect of omitting sections in the audio samples. The arrangements could therefore be played by brass quartet, woodwind quartet, saxophone quartet or virtually any combination of wind instruments. Using the piano part (which has been kept as simple as possible) the arrangements could also be used as solos or duets, depending of what instruments are available. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because the parts invariably are too low for flute or oboe. All the scores and parts are contained in a single125-page PDF file.<br> <br> The publication consists of four-stave scores for each hymn and carol plus:<br> <br> 1. Part 1 in B flat (clarinet, trumpet, cornet, soprano sax);<br> <br> 2. Part 1 in C (8ve higher for piccolo, flute, oboe);<br> <br> 3. Part 1 in E flat (alto saxophone, E flat clarinet);<br> <br> 4. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn);<br> <br> 5. Part 2 in C (8ve higher for flute, oboe);<br> <br> 6. Part 2 in E flat (alto saxophone);<br> <br> 7. Part 3 in B flat (tenor saxophone, B flat baritone);<br> <br> 8. Part 3 in C (bass clef for trombone, bassoon);<br> <br> 9. Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet);<br> <br> 10. Part 3 in F (French horn in F);<br> <br> 11. Part 3a in B flat (8ve below score pitch for 3rd clarinet);<br> <br> 12. Part 4 in B flat (B flat bass clarinet, B flat bass);<br> <br> 13. Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba);<br> <br> 14. Part 4 in E flat (E flat baritone saxophone, E flat bass)<br> <br> Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique Noël); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves)<br> <br> The audio samples include Angels from the Realms of Glory, Deck the Halls with Boughs of Holly, Go Tell it on the Mountain and Silent Night. Please note that arrangements in the publication are not intended to be compatible with Your Favorite Christmas Hymns and Carols for Brass.
$29.99
27.99 €
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Various
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Your Favorite Christmas Hymns and Carols for Wind Instruments Book 1
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Colin Kirkpatrick Publications
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SheetMusicPlus
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